Age before beauty

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‘The police behaviour is questionable in this story’

After 23 years with The BBC, and 38 years in journalism (when he was trained to use clear and simple language, avoiding jargon), our Editor Phil Parry knows that the audience believes some people on the airwaves do not age, when major documentary programmes have focused on one of the biggest and most controversial murder investigations ever mounted by South Wales Police (SWP), during which four members of the same family were brutally killed, featuring footage of him decades earlier! 

In the past he has described how he was helped to break into the South Wales Echo office car when he was a cub reporter, recalled his early career as a journalist, the importance of experience in the job, and making clear that the ‘calls’ to emergency services as well as court cases are central to any media operation.

Phil, here on BBC Cymru Wales Today in 1988, always knew how important it was to talk to people

He has also explored how poorly paid most journalism is when trainee reporters had to live in squalid flats, the vital role of expenses, and about one of his most important stories on the now-scrapped 53 year-old BBC Cymru Wales (BBC CW) TV Current Affairs series, Week In Week Out (WIWO), which won an award even after it was axed, long after his career really took off

Phil has explained too how crucial it is actually to speak to people, the virtue of speed as well as accuracy, why knowledge of ‘history’ is vital, how certain material was removed from TV Current Affairs programmes when secret cameras had to be used, and some of those he has interviewed.

‘COME OUT POLICE OFFICER, AND TELL ME WHAT YOU DID!’

Earlier he disclosed why investigative journalism is needed now more than ever although others have different opinions, and how information from trusted sources is crucial at this time of crisis.

 

A fascinating aspect about having been on television, is that onlookers think some people don’t change!

They certainly don’t with me (although I have done MASSIVELY), and one viewer even came up to me recently saying bluntly:  “God you’ve aged!”.

This was emphasised by Sky documentary films on now, called ‘Murder in the Valleys’ (MITV), which re-examine a notorious murder case in Clydach near Swansea, in which two children, their mother and elderly disabled grandmother, were battered to death in 1999.

It was one of the biggest, and most controversial, investigations ever mounted by South Wales Police (SWP), and there have been lingering doubts concerning the guilt of the man who was eventually convicted for them, David (‘Dai’) Morris.

I made a BBC Panorama about the case 20 years ago, and we were the first to question the conviction. Film-makers relied on that Panorama heavily for the four part Sky series on it, which is being transmitted at the moment.

In MITV I am seen as I was then, engaged in secret filming, and as I am now talking about what happened all those years ago.

Phil looked VERY different in the BBC Panorama footage

Of course I was seen on one of the programmes, as I am today – wearing glasses, with thinning grey hair, and a lined face. I am also disabled, and walk with a stick, although this wasn’t on screen.

I am shown, too, as I was 20 years ago – an able-bodied man in his 40s, without glasses, and a shock of dark blond hair.

Some, though, are different.

Among them is the Senior Investigating Officer who was in charge of the case at the time, Detective Superintendent (Retd.) Marti(y)n Lloyd Evans.

He was a good-looking, youngish, man then, and remains a handsome, mature person, now.

Phil on the original BBC Panorama which started it all

But we didn’t even bother approaching him for an interview in our original BBC Panorama, because we knew he’d say ‘no’.  In fact SWP refused altogether to do a formal interview for us!

I used to spend most of my time, when I was in television, not engaged in journalistic pursuits at all, but in persuading people to go on camera.  It is MUCH easier when they are retired!

However, despite his looks, Mr Evans (who used to drive around in a car with the personalised number plate ‘MLE’) does not come over well on MITV.

The programmes showed how the murders caused huge disquiet in the community, and that key suspects were released by the police

A highly credible witness saw someone wearing a black bomber jacket which looked like a police coat, near the murder scene in the small hours of the night in question, and gave a statement to officers, from which an ‘e-fit’ was constructed. The police report which was shown in the MITV documentary films (as well as in my BBC Panorama programme), said it had a ’90 per cent’ chance of likeness.

The witness studied the man closely, and he looked directly back at her. This e-fit, however, was NEVER released to the public.

During MITV, Mr Evans is questioned about this seeming mistake, and he replies that because the man was carrying a bag, and it was believed the killer had not had one it was not put out.

He said: “I didn’t think it was relevant”. I thought this was bizarre in the extreme.

It’s a pity that Martin Lloyd Evans did not look up what words meant…

The e-fit matched almost exactly the face of the first senior police officer on the scene, Inspector Stuart Lewis, who had stayed there a matter of minutes, or his identical twin brother (another police officer, Sergeant Stephen Lewis, whose wife was having a gay affair with one of the victims).

Inspector Stuart Lewis, had changed his shift to be on that night, yet at crucial hours during the murders his whereabouts are unknown. He drove an unmarked police car which was similar to one spotted nearby, but with a log book which went missing, and he didn’t report the deaths as suspicious, even though he was known for meticulously playing by the book, and was called by his colleagues ‘Inspector Perfect’.

Time moves on…

I am shown in one of the programmes confronting him with the e-fit during the secret filming, and saying:  “Now that is a very good likeness of Stephen, your twin brother or YOU…”

What was NOT transmitted, though, was that Inspector Stuart Lewis then said, flustered: “OR Morris”, to which I responded: “It doesn’t look like Morris to me…”

My producer, Stephen Scott, asked: “Why weren’t you put on an identity parade?”, and Inspector Stuart Lewis replied, still flustered, that he should have been.

In secret filming with Phil, Stuart Lewis admitted the e-fit likeness to him and his identical twin brother Stephen

It is intriguing that in the statement transmitted by MITV programme-makers, he appeared to concentrate on himself, and how he had been unfairly treated by SWP in their botched Perverting The Course Of Justice case against him, but he might, perhaps, have been expected to name those who had been so terribly murdered.

His proclamation began:  “It is tragic that all involved in this high profile investigation were let down by the police…”.

Stuart Lewis’ identical twin brother Stephen, and the ‘irrelevant’ e-fit which was never released to the public

Meanwhile, in his interview for MITV Mr Evans said:  “David Morris was never a victim”, but if those who watched it had substituted the words ‘Stuart Lewis’ for ‘David Morris’, this declaration could have worked just as well!

Quite apart from not releasing the e-fit which so closely resembled Mr Lewis, or his identical twin brother, other stupid (although rather less important) errors were also made.

During the interview for MITV, Mr Evans used the word “sublime”, but clearly meant “subdued”!

‘Now don’t you be giving me any of your insinuendos…’

This reminded me of when I talked to a senior police officer, many years ago as a cub reporter, and he managed to conflate the words “insinuate” and “innuendos”, saying magnificently:  “Now don’t you be giving me any of your insinuendos”!

That said, the MITV programmes are EXCELLENT, and should be watched. They were on SKY Crime and SKY Showcase on Sunday; with all four episodes available as a ‘box-set’ on NOW TV, and it has been written about extensively.

Book posterIt’s just a shame that some people have aged better than others..!

 

The memories of Phil’s decades long award-winning career in journalism (when secret filming was used regularly in investigations) as he was gripped by the rare neurological disease Hereditary Spastic Paraplegia (HSP), have been released in a major book ‘A GOOD STORY’. Order it now!

Publication of another book, however, was refused, because it was to have included names